The HipHop Declaration of Peace was presented to the United Nations
Organization on May 16th 2001. It was signatured by various
organizations such as: Temple Of Hip Hop, Ribbons International, UNESCO
and also by 300 Hip-Hop activists, pioneers and UN delegates.In
the first place this document recognises Hip-Hop as an international
culture of peace and prosperity. It is also a set of principles which
advise all Hip-Hoppers on how to sustain the peaceful character of Hip
Hop Kulture and to form worldwide peace.Additionally this
declaration is meant to show Hip-Hop as a positive phenomenon which has
nothing in common with the negative image of Hip Hop as something that
corrupts young people and encourages them to break the law. KRS One,
Pop Master Fabel, Afrika Bambaataa, Ralph Mc Daniels and HarryAllen
were some of the people who had their share in creating the declaration.

The HipHop Declaration Of Peace

This Hiphop Declaration of Peace guides Hiphop Kulture toward
freedom from violence, and establishes advice and protection for the
existence and development of the international Hiphop community.
Through the principles of this Hiphop Declaration of Peace we, Hiphop
Kulture, establish a foundation of Health, Love, Awareness, Wealth,
peace and prosperity for ourselves, our children and their children’s
children, forever.

For the clarification of Hiphop’s meaning and purpose, or when the
intention of Hiphop is questioned, or when disputes between parties
arise concerning Hiphop; Hiphoppas shall have access to the advice of
this document, The Hiphop Declaration of Peace, as guidance, advice and
protection.

First Principle

Hiphop (Hip’Hop) is a term that describes our independent collective
consciousness. Ever growing, it is commonly expressed through such
elements as Breakin, Emceein, Graffiti Art, Deejayin, Beatboxin, Street
Fashion, Street Language, Street Knowledge and Street
Entrepreneurialism. Wherever and whenever these and future elements and
expressions of Hiphop Kulture manifest; this Hiphop Declaration of
Peace shall advise the use and interpretation of such elements,
expressions and lifestyle.

Second Principle

Hiphop Kulture respects the dignity and sanctity of life without
discrimination or prejudice. Hiphoppas shall thoroughly consider the
protection and the development of life, over and before the individual
decision to destroy or seek to alter its natural development.

Third Principle

Hiphop Kulture respects the Laws and agreements of its culture, its
country, its institutions and whomever it does business with. Hiphop
does not irresponsibly break Laws and commitments.

Fourth Principle

Hiphop is a term that describes our independent collective
consciousness. As a conscious way of life, we acknowledge our influence
on society, especially on children; and we shall forever keep the
rights and welfare of both in mind. Hiphop Kulture encourages
womanhood, manhood, sisterhood, brotherhood, childhood and family. We
are conscious not to bring any intentional disrespect that jeopardizes
the dignity and reputation of our children, elders and ancestors.

Fifth Principle

The ability to define, defend and educate ourselves is encouraged,
developed, preserved, protected and promoted as a means toward peace
and prosperity, and toward the protection and the development of our
self-worth. Through knowledge of purpose and the development of our
natural and learned skills, Hiphoppas are encouraged to always present
their best work and ideas.

Sixth Principle

Hiphop Kulture honors no relationship, person, event, act or
otherwise wherein the preservation and further development of Hiphop’s
culture, principles and elements are not considered or respected.
Hiphop Kulture does not participate in activities that clearly destroy
or alter its ability to productively and peacefully exist. Hiphoppas
are encouraged to initiate and participate in fair trade and honesty in
all negotiations and transactions.

Seventh Principle

The essence of Hiphop is beyond entertainment: The elements of
Hiphop Kulture may be traded for money, honor, power, respect, food,
shelter, information and other resources; however, Hiphop and its
culture cannot be bought, nor is it for sale. It cannot be transferred
or exchanged by or to anyone for any compensation at any time or at any
place. Hiphop is the priceless principle of our self-empowerment.
Hiphop is not a product.

Eighth Principle

Companies, corporations, non and not-for-profit organizations, as
well as individuals and groups that are clearly benefiting from the
use, interpretation and/or exploitation of the term Hiphop, (i.e. Hip
Hop, hip-hop,) and the expressions and terminologies of Hiphop, (i.e.
Hip Hop, hip-hop,) are encouraged to commission and/or employ a
full-time or part-time certified Hiphop cultural specialist to
interpret and answer sensitive cultural questions regarding the
principles and proper presentations of Hiphop’s elements and culture;
relative to businesses, individuals, organizations, communities,
cities, as well as other countries.

Ninth Principle

May 3rd is Rap Music Day. Hiphoppas are encouraged to dedicate their
time and talent to self-development and for service to their
communities. Every third week in May is Hiphop Appreciation Week.
During this time, Hiphoppas are encouraged to honor their ancestors,
reflect upon their cultural contributions and appreciate the elements
and principles of Hiphop Kulture. November is Hiphop History Month.
During this time Hiphoppas are encouraged to participate in the
creating, learning and honoring of Hiphop’s history and historical
cultural contributors.

Tenth Principle

Hiphoppas are encouraged to build meaningful and lasting
relationships that rest upon Love, trust, equality and respect.
Hiphoppas are encouraged not to cheat, abuse, or deceive their friends.

Eleventh Principle

The Hiphop community exists as an international culture of
consciousness that provides all races, tribes, religions and styles of
people a foundation for the communication of their best ideas and
works. Hiphop Kulture is united as one multi-skilled, multi-cultural,
multi-faith, multi-racial people committed to the establishment and the
development of peace.

Twelfth Principle

Hiphop Kulture does not intentionally or voluntarily participate in
any form of hate, deceit, prejudice or theft at any time. At no time
shall Hiphop Kulture engage in any violent war within itself. Those who
intentionally violate the principles of this Declaration of Peace or
intentionally reject its advice, forfeit by their own actions the
protections set forth herein.

Thirteenth Principle

Hiphop Kulture rejects the immature impulse for unwarranted acts of
violence and always seeks diplomatic, non-violent strategies in the
settlement of all disputes. Hiphoppas are encouraged to consider
forgiveness and understanding before any act of retaliation. War is
reserved as a final solution when there is evidence that all other
means of diplomatic negotiation have failed repeatedly.

Fourteenth Principle

Hiphoppas are encouraged to eliminate poverty, speak out against
injustice and shape a more caring society and a more peaceful world.
Hiphop Kulture supports a dialogue and action that heals divisions in
society, addresses the legitimate concerns of humankind and advances
the cause of peace.

Fifteenth Principle

Hiphoppas respect and learn from the ways of Nature, regardless of
where we are on this planet. Hiphop Kulture holds sacred our duty to
contribute to our own survival as independent, free-thinking beings in
and throughout the Universe. This planet, commonly known as Earth is
our nurturing parent and Hiphoppas are encouraged to respect Nature and
all creations and inhabitants of Nature.

Sixteenth Principle

Hiphop’s pioneers, legends, teachas, elders, and ancestors shall not
be inaccurately quoted, misrepresented, or disrespected at anytime. No
one should profess to be a Hiphop pioneer or legend unless they can
prove with facts and/or witnesses their credibility and contributions
to Hiphop Kulture.

Seventeenth Principle

Hiphoppas are encouraged to share resources. Hiphoppas should give
as freely and as often as possible. It is the duty of every Hiphoppa to
assist, whenever possible, in the relief of human suffering and in the
correction of injustice. Hiphop is shown the highest respect when
Hiphoppas respect each other. Hiphop Kulture is preserved, nurtured and
developed when Hiphoppas preserve, nurture and develop one another.

Eighteenth Principle

Hiphop Kulture maintains a healthy, caring and wealthy, central
Hiphop guild fully aware and invested with the power to promote, teach,
interpret, modify and defend the principles of this Hiphop Declaration
of Peace.

By signaturing this document we declare our support and membership
to the one and only, real Hip Hop Kulture which is based on rules and
values presented in the aforementioned declaration. We also reject the
wrong image of Hip-Hop Kulture which is often linked with violence and
aggression or is a falsely created stereotype spread by mass media and
commercial pseudo-Hip Hop icons of pop-culture.

This document
presents the intentions of Hip Hop Kulture. When the good name of Hip
Hop Kulture will be threatened by negative actions of people who
identify themselves with Hip-Hop but do not obey the principles of this
declaration, the document (including a list of collected signatures)
shall be sent to the government institutions and mass media.

http://www.declaration-of-peace.com/en/

I’ve had enough of these HYPOCRITES who jump on the ‘tribe’ or ‘native’ bandwagon like its a fashion accessory. Avatar is not a fantasy, its very real and there are currently tribes all over the world who are losing their lands to greedy companies who will stop at no length to drive these people out of their motherland…s for profit. We cannot let this happen.

My favourite charity Survival International are an amazing charity that protect indigenous people of their rights to their lands. Look at how beautiful these tribes are. Something no beauty or fashion magazine cover girl could even DREAM of coming close to, something no make up brand or fashion item could even compare to.

LETS STOP THE DONGRIA KONDH TRIBE FROM LOSING THEIR SACRED MOUNTAIN & LAND, stop being a fucking hypocrite and do something about it!!!!!!!!!!!!!!!!!!!!!!!!!! The situation has got pretty bad with India’s PM pushing for the go ahead of the mine being built.

Here’s a short 12 minute documentary about the situation

Now when the hype behind Obama was like a Tsunami of Global hysteria re: the fact we had a black man in the White House and the ” CHAAAAAAAAAAAAAAAAAANGE ” speech, i held my breath.. i refused to vote for him or anyone else. Because i could see the cracks.

Yes i received alot of abuse because everyone thought i was paranoid blah blah blah.. well i was right and Obama is actually a cybernetic being produced by the puppet masters of the Illuminati..

ok maybe that hasn’t been proved so I’ll continue to hold my breath, but, with some digging i’ve come across a man that should have made it into the White House..

Dennis Kucinich

See for yourself:

AGENT B

This man has put his life on the line to provide the world with factual information behind the corrupt Governments an ruling powers the world over. He’s one of the most sought after targets on all of these factions wish lists after his organization Wikileaks released 90.000 sensitive documents explaining the wrong doings of the alliance forces in Iraq and Afghanistan causing quite a stir.

We’ve been waiting for an organization to put the power of the internet to good use. To feed us the information THEY don’t want us to see or hear. The power is in our hands to vote accordingly, to oppose accordingly and to stand up and say:

We the people salute you Julian Assange

AGENT B

Been loving the new style of Inkfetish.co.uk. The boy has been hitting up Otaku lately with the 40HK team to great effect the errie use of Disney icons subverted through the eye of the Fetid. Really impressive use of color an shape, check it out:

Boom Town Rats

AGENT B

It’s Quality over Quantity i’m being constantly reminded by a Coyote re: alcohol, Begrudgingly i reach that bit deeper into my pocket an move up the isle to the specialist and come across a strange new mystical world of awesomeness, this strange new land of taste is called..

In 1988 the brewery was asked to brew a special celebratory wedding beer for a local landlord for his daughter’s wedding. Chris Moss created the ale of his life. The deliciously dark, rich brew became The Legendary Hobgoblin. In January 1996 the first Hobgoblin beer in bottles was produced as the first bottled beer in the UK to have a pictorial front label as opposed to just the name in words. The highly distinctive and quirky labels appealed immediately to a new, younger market for traditional English ales. Hobgoblin is now the flagship beer of Wychwood Brewery and the 5th best selling bottled ale in the UK.

By 1997, Wychwood Brewery was producing nearly 30,000 barrels a year, including a full calendar of limited edition seasonal cask ales, under imaginative names and pump clip artworks. The brewery also owned 40 Hobgoblins Pubs. Following the success of Hobgoblin in bottle, Wychwood continued to bottle some of the other most popular cask ales, Christmas and seasonal beers. Many of the beer labels took their inspiration and artwork from myths and legends associated with the ancient medieval Wych Wood Forest. The brewery gained a growing fan base, as keen on the beers as they were on the artwork and imagery of the brewery labels. The Hobgoblins pubs were sold off in 2002, although some continue to use the Hobgoblin branding under their new owners.

Honestly i haven’t tasted ale quite so varied, each bottle (myself and AGENT WOLF polished of 10 different flavors for our sins) had a distinct energy behind its label. Lots of thought an quirkiness goes into the design and story behind each flavor.. i really have to take my hat off to the boys and elves behind this brewery, i shan’t be going back to Lager..

AGENT B

Watched this Gem of a film over the weekend. Its a stark realistic approach to the destruction of the aboriginal community in Australia. It focuses on the lives of two young Aborigines living in a small reserve out in the middle of no-where. With not one word spoken between the young lovers it relies on their connection through unspoken communication. Beautifully executed it leaves the viewer cringing and crying with Joy and desperation. Written, directed and shot by Warwick Thorton, Samson an Delilah broke Australian records on its release and also got a Cannes award for first film.

I really recommend this film, it left me feeling very sad that even today we still don’t really except the wholesale destruction of so many indigenous societies with our need for so called urban progress an expansion projects. It was put on in London by Survival International, which is a charity set up solely with the intention to help protect whats left of the lands and rights of these Indigenous people worldwide. A fantastic charity we at FYH completely support and will be writing more about very soon.

www.survivalinternational.org/

AGENT B

“How pale the Princess is! She is like the shadow of a white rose in a mirror of silver…”

The brutal power of ancient myth collides with twentieth century decadence in Oscar Wilde’s astonishing verse tragedy. Salome, step-daughter of King Herod agrees to perform the mysterious dance of the seven veils but demands in return the head of the King’s most infamous prisoner - John the Baptist.

Wilde’s Salome is a dazzling, shocking piece of storytelling from one of the greatest writers of the last two hundred years. It is fragile, savage and shimmeringly beautiful, rendered in exquisite poetry and unforgettable theatrical images. Headlong and Curve Theatre, Leicester present a vivid contemporary production of this rarely-seen masterpiece.

“She is monstrous thy daughter. I tell thee she is monstrous.”

Jamie Lloyd is one of the most acclaimed young directors in British theatre. Recent work includes Polar Bears (Donmar), Piaf (Donmar / West End), Three Days of Rain (West End) and the award-winning The Pride (Royal Court).

Con O’Neill plays Herod. His extensive stage credits include Prick Up Your Ears (Comedy Theatre), The Caretaker (Cruicible/Tricycle), Telstar (New Ambassadors),  Mother Clapp’s Molly House, Southwark Fair (National Theatre), A Tribute to the Blues Brothers and Blood Brothers for which he won an Olivier Award for Best Actor in a Musical. His screen credits include Telstar, Learners (BBC), My Hero (BBC) and Trial and Retribution.

Zawe Ashton plays Salome. Her stage credits include This Wide Night (Clean Break/Soho), The Frontline, Othello (Shakespeare’s Globe), The Arsonists, Rhinoceros, Gone Too Far (Royal Court) and Moon on a Rainbow Shawl (Haymarket). Her screen credits include Freefall, St Trinian’s II, Blitz and Sherlock, A Study in Pink (BBC).

Jaye Griffiths plays Herodias. Her theatre credits include Category B (Tricycle), Seize the Day (Tricycle), Othello (Cheek by Jowl), A Midsummer Night’s Dream (Bristol Old Vic). Her many television credits include A Touch of Frost (ITV), Criminal Justice (BBC), Kingdom (ITV), Silent Witness (BBC) and Hunger (ITV).

Salome will open at Curve Theatre, Leicester before embarking on a UK tour prior to a London opening at Hampstead Theatre in June.

Salome
By Oscar Wilde
5th May – 17th July 2010
Tour Dates

5th – 15th May 2010 – CURVE THEATRE, LEICESTER

http://www.curveonline.co.uk

Telephone : 0116 242 3595

18th – 22nd May 2010 – YVONNE ARNAUD THEATRE, GUILDFORD

http://www.yvonne-arnaud.co.uk

Telephone : 0148 344 0000

25th – 29th May 2010 – RICHMOND THEATRE

http://www.ambassadortickets.com

Telephone : 0844 871 7651

1st June – 5th June 2010 – OXFORD PLAYHOUSE

http://www.oxfordplayhouse.com

Telephone : 0186 530 5305

8th June – 12th June 2010 – NORTHERN STAGE

http://www.northernstage.co.uk

Telephone : 0191 230 5151

15th June – 19th June 2010 – THEATRE ROYAL BRIGHTON

http://www.ambassadortickets.com

Telephone : 0844 871 7650

22nd June – 17th July 2010 – HAMPSTEAD THEATRE

http://www.hampsteadtheatre.com

Telephone : 0207 722 9301

Here’s the website for further information.

www.headlongtheatre.co.uk/

One by one we’re watching them fall like flies. I guess it all began in the Puff Daddy days, P diddy, Diddy-O, whatever the f*ckers name is these days. As much as I absolutely LOVE Hype Williams, it makes me sad to say that his combo attack with The Daddy of Puff began the death of real Hip Hop. Bright vibrant colours, close-up in ya face shots of cool rappers and hip hop honey hoochie mama butts filmed through fish eye lenses was the essence of cool. Remember those crazy Missy Elliot videos? Hype Williams. Hype being the key word.

Then there was Mobb Deep who (still find it hard to say) signed onto G UNIT (cringe cringe cringe cringe), Nas became Jay Z’s bitch (after ending their ongoing battle, completely destroying him with the song ‘Ether’).

The true principles of Hip Hop are based around creativity, expression, knowledge of self, community, culture, which was born out of positivity within the beautiful struggle. It’s a way of life, a state of mind. It’s a cultural movement, one of which the bboy, graffiti, and turntablism was born.

What it has now become is a T-Pain whiny Akon autotune cocktail nightmare of rappers wearing shades in clubs drinking out of a pimp cup with a loada cheap half naked bints rubbing their diseased loose crotches all over them talkin some absolute fraff that makes me want to give them a backhander.

Hip Hop has become the complete OPPOSITE of what it was all about. I remember seeing Mos Def at the Shepherds Bush empire and the entire crowd was just a chorus crowd. As soon as Ms Fat Booty & Umi Says came on, they’d all tilt their new era caps down and start singing along trying to crip walk or whatever it is they do these days with their latest nike trainers thinking to themselves “Oh I’m so deep, this is underground hip hop, I’m so Urban”. Bitch Please. Mos then went into a freestyle, spitting hard lyrics about new world order (the mans been arrested on stage before because of his strong words about the corruption of the government). THATS hip hop. STAND UUUP! Lyrically handsome, still representing, Brooklyns finest on stage, spitting REAL hip hop in front of their hyped up eyes and noone made a noise. Moral of the story, people don’t even listen to the lyrics anymore.

REAL HIP HOP:

Listen to the lyrics, and if you’re still baffeled I guess you’re just beyond hope and a perfect example of why real music is doomed.

And this is what its become. Makes me queasy.

Aaaaaaaaaand thats enough, I think you catch my point. Once again, big up Mos Def for not having a bar of it and confronting Kanye West, perfect example of the point I’m making.

I shall finish this article with a song which I once blew both my speakers to.

A B-boy or B-girl is a person devoted to hip hop culture, more specifically, bboying/break-dancing. Crazy Legs of Rock Steady Crew explains the origin of the term – “the word b-boy originated from Kool Herc … b-boys and b-girls – break boys, break girls” [1]. Although numerous b-boys have suggested that the term refers to the ‘breaks’ on a record [1], Kool Herc says that this is not the case – “b-boy – boys that break, it didn’t come from breaks on the record, it comes from… this man he ‘broke’, he went to a point, a breaking point… we just used that exaggeration of that term to the dancing – the b-boys, break boys”.

[1] Schloss, Joseph (2009). Foundation: B-boys, B-girls, And Hip-Hop Culture… [Oxford University Press.]